“She had worn a sequined, strapless wedding gown, and left her bridesmaid to wear brightly flowered dresses to fit for a kind of pornographic milkmaid: low-cut and laced up the midriff with a sort of shoelace. "What Scarlet O'Hara might have done with a shower curtain, if she were trying to snag a plumber.”

“I didn't want to, even in my imagination, even for a second, to conflate this sophisticated woman with my mother, a woman so frugal and clueless that she had once given me - to have! to know! to wear! - her stretch black lace underwear that had shrunk in the dryer, though I was only ten.”

“That I might never have an occasion to wear such a thing or that I might look like the worst sort of Republican doing so probably never occurred to her. ”

“I used to think that those essentially happy and romantic novels that ended with a wedding were all wrong, that they had left out the most interesting part of the story.”

“She tried to smile warmly but wondered if she looked "fakey," something Ariel sometimes accused her of. Ariel had said. "It's like you're trying to be happy out of a book." Millie owned several books about trying to be happy.”

“Her rage flopped awkwardly away like a duck. She felt as she had when her cold, fierce parents had at last grown sick and old, stick-boned and saggy, protected by infirmity the way cuteness protected a baby, or should, it should protect a baby, and she had been left with her rage--vestigial, girlhood rage--inappropriate and intact. She would hug her parents good-bye, the gentle, emptied sacks of them, and think Where did you go?”

“She had, without realizing it at the time, learned to follow Nick's gaze, learned to learn his lust...his desires remained memorized within her. She looked at the attractive women he would look at...She had become him: she longed for these women. But she was also herself, and so she despised them. She lusted after them, but she also wanted to beat them up. A rapist. She had become a rapist, driving to work in a car.”