“We were in dialogue that was about something other than what we were saying.”

“I guessed that only at the last possible minute did the soul in a determined fashion flee the dying flesh. Who could blame it for its reluctance? We loved our lives more than we ever knew, and at the end felt the bounty of them, as one would say in church, felt even the richness of their missed opportunities, or just understood that they were more than we had realized during the living of them and a lot to give up.”

“If we were still English we'd be drinking more and driving on the wrong side of the road - pretty much what people do on the Fourth of July anyway.”

“The thing to remember about love affairs," says Simone, "is that they are all like having raccoons in your chimney."...We have raccoons sometimes in our chimney," explains Simone.And once we tried to smoke them out. We lit a fire, knowing they were there, but we hoped the smoke would cause them to scurry out the top and never come back. Instead, they caught on fire and came crashing down into our living room, all charred and in flames and running madly around until they dropped dead." Simone swallows some wine. "Love affairs are like that," she says. "They are all like that.”

“Amber was past tense. We were covering her inanimate face in the white sheet of was. ”

“This was supposed to be the Presidential Suite," she said, gazing into the room at the holes in the wall.well, even presidents get shot," I said.I was just going to say that myself," she said, smiling. "But I didn't want to scare you."I didn't know whether this was interesting--that we were both thinking the same gruesome thing--or even whether it was actually the case. Perhaps it was just rhetorical ESP: Kreskin's Guide to Etiquette. But even if it was true, that we were about to say the same thing, did this connect us in some deep private way? Or was it just a random obviousness shared between strangers? The deeper life between two people I had yet to read with confidence. It seemed a kind of vaporous text that kept revising its very alphabet. An exfoliating narrative, my professors would probably say. The paratext of the possible.”

“This lunge at moral fastidiousness was something she'd noticed a lot in people around here. They were not good people. They were not kind. But they recycled their newspapers!”