“Where does love go? When something you have taped on the wall falls off, what has happened to the stickum? It has relaxed. It has accumulated an assortment of hairs and fuzzies. It has said "Fuck it" and given up. It doesn't go anywhere special, it's just gone. Energy is created, and then it is destroyed. So much for the laws of physics. So much for chemistry. So much for not so much.”

“Women now were told not to settle for second best, told that they deserved better, but at a time, it seemed, when there was so much less to go around.”

“How can it be described? How can any of it be described? The trip and the story of the trip are two different things. The narrator is the one who has stayed home, but then, afterward, presses her mouth upon the traveler’s mouth, in order to make the mouth work, to make the mouth say, say, say. One cannot go to a place and speak of it; one cannot both see and say, not really. One can go, and upon returning make a lot of hand motions and indications with the arms. The mouth itself, working at the speed of light, at the eye’s instructions, is necessarily struck still; so fast, so much to report, it hangs open and dumb as a gutted bell. All that unsayable life! That’s where the narrator comes in. The narrator comes with her kisses and mimicry and tidying up. The narrator comes and makes a slow, fake song of the mouth’s eager devastation.”

“Love drains you, takes with it much of your blood sugar and water weight. You are like a house slowly losing its electricity, the fans slowing, the lights dimming and flickering; the clocks stop and go and stop.”

“In so many things I loved I was sadly insufficiently gifted and driven. But writing I could plod along with -- and no one discouraged me. People were much kinder. I headed toward the kindness.”

“I always do the wrong. I do the wrong thing so much that the times I actually do the right thing stand out so brightly in my memory that I forget I always do the wrong thing.”

“I felt sorry for Mary-Emma and all she was going through, every day waking up to something new. Though maybe that was what childhood was. But I couldn't quite recall that being the case for me. And perhaps she would grow up with a sense that incompetence was all around here, and it was entirely possible I would be instrumental in that. She would grow up with love, but no sense that the people who loved her knew what they were doing - the opposite of my childhood - and so she would become suspicious of people, suspicious of love and the worth of it. Which in the end, well, would be a lot like me. So perhaps it didn't matter what happened to you as a girl: you ended up the same.”