“Yes," she said. "'I Been Working on the Railroad.'There's just two things I'm worried about with that: the grammar and the use of slave labor.”

“This was supposed to be the Presidential Suite," she said, gazing into the room at the holes in the wall.well, even presidents get shot," I said.I was just going to say that myself," she said, smiling. "But I didn't want to scare you."I didn't know whether this was interesting--that we were both thinking the same gruesome thing--or even whether it was actually the case. Perhaps it was just rhetorical ESP: Kreskin's Guide to Etiquette. But even if it was true, that we were about to say the same thing, did this connect us in some deep private way? Or was it just a random obviousness shared between strangers? The deeper life between two people I had yet to read with confidence. It seemed a kind of vaporous text that kept revising its very alphabet. An exfoliating narrative, my professors would probably say. The paratext of the possible.”

“I watched my friend Eleanor give birth," she said. "Once you've seen a child born, you realize a baby's not much more than a reconstituted ham and cheese sandwich. Just a little anagram of you and what you've been eating for nine months.”

“I want to pretend there's such a thing as requited love. As the endurance of love.”

“Love is a fever," she said. "And when you come out of it you'll discover whether you've been lucky - or not.”

“The key to marriage, she concluded, was just not to take the thing too personally.”

“I was Baptist and had always prayed, in a damp squint, for things not to happen. Sils was a Catholic, and so she prayed for things to happen, for things to come true. She prayed for love here and now. I prayed for no guns.”