“The Apache don't have a word for love," he said. "Know what they both say at the marriage? The squaw-taking ceremony?""Tell me.""Varlebena. It means forever. That's all they say.”

“Say it.""Say what?""Tell me what you told me earlier.""I love you.""That's all I ever need to hear.""Those three words?""Always those three words.”

“All I could say was, "I don't know what to do." I remember her taking me by the shoulders and looking me in the eye with a calm smile and saying simply, "Tell the truth, tell the truth, tell the truth.”

“He stops pacing. 'I know, Miranda, I did it because I—' 'Stop! Don't say it. I don't want to hear you say it.' 'I have to say it,' Noah says. 'No, you don't.' If I hear him say the word love, I don't know what I'll do. I still have my gun. Maybe one day I can forgive him, but all chance of that goes out the window if he claims he did it for love. If you love someone, the idea is respect them enough to trust them. Not to take away their freedom. Their life.”

“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.”

“You know what they say," Amanda said. "Hatred isn't the opposite of love, it's just another variation of it. They both mean you have passionate feelings for someone.”