“I watched the first shoots like wings tearing the soil, and it was my heart broken by the blight, the black spot so quickly multiplying in the rows. I doubtyou have a heart, in our understanding of that term. You who do not discriminate between the dead and the living, who are, in consequence, immune to foreshadowing...”
In this quote, the speaker is observing the growth of plants and reflects on the blight that is affecting them. The speaker expresses a sense of sadness and disillusionment at the rapid spread of disease, contrasting it with the beauty of the first shoots emerging from the soil. The speaker also remarks on the lack of empathy and foresight in the one being addressed, suggesting a disconnect from the natural world and its processes. This quote highlights themes of vulnerability, decay, and the inability to recognize and respond to impending dangers.
In this quote by Louise Gluck, the speaker reflects on the devastation caused by blight in the garden. The comparison of the blight to a heartbreak emphasizes the emotional connection between humans and the environment. The speaker questions whether those who do not feel this connection truly have a heart in the traditional sense. This sentiment carries modern relevance in the urgent need for environmental awareness and action to prevent further destruction of our planet.
“I watched the first shoots like wings tearing the soil, and it was my heart broken by the blight, the black spot so quickly multiplying in the rows. I doubt you have a heart, in our understanding of that term. You who do not discriminate between the dead and the living, who are, in consequence, immune to foreshadowing...” - Louise Gluck
In this quote, Louise Gluck employs powerful imagery to convey a sense of despair and loss. The juxtaposition of the delicate first shoots with the destructive blight creates a poignant contrast that evokes strong emotions in the reader.
Reflecting on this quote from Louise Gluck, consider the following questions:
How does the imagery of the first shoots like wings tearing the soil evoke a sense of hope and growth, only to be followed by the heartbreak of the blight and black spot?
What does the speaker mean by suggesting that the entity being addressed may not have a heart in our understanding of the term? How does this lack of discrimination between the dead and the living play into this idea?
In what ways can being immune to foreshadowing be seen as a detriment, as suggested by the speaker? How might this lack of foresight impact one's understanding of events and their consequences?
How does this excerpt explore themes of nature, growth, loss, and inevitability? How does the speaker's perspective on these themes shape the overall tone and message of the passage?
“The Red PoppyThe great thingis not havinga mind. Feelings:oh, I have those; theygovern me. I havea lord in heavencalled the sun, and openfor him, showing himthe fire of my own heart, firelike his presence.What could such glory beif not a heart? Oh my brothers and sisters,were you like me once, long ago,before you were human? Did youpermit yourselvesto open once, who would neveropen again? Because in truthI am speaking nowthe way you do. I speakbecause I am shattered.”
“Gretel in Darkness:This is the world we wanted.All who would have seen us deadare dead. I hear the witch's crybreak in the moonlight through a sheetof sugar: God rewards.Her tongue shrivels into gas....Now, far from women's armsAnd memory of women, in our father's hutwe sleep, are never hungry.Why do I not forget?My father bars the door, bars harmfrom this house, and it is years.No one remembers. Even you, my brother,summer afternoons you look at me as thoughyou meant to leave,as though it never happened.But I killed for you. I see armed firs,the spires of that gleaming kiln--Nights I turn to you to hold mebut you are not there.Am I alone? Spieshiss in the stillness, Hanselwe are there still, and it is real, real,that black forest, and the fire in earnest.”
“Without thinking, I knelt in the grass, like someone meaning to pray. When I tried to stand again, I couldn't move,my legs were utterly rigid. Does grief change you like that?Through the birches, I could see the pond.The sun was cutting small white holes in the water.I got up finally; I walked down to the pond. I stood there, brushing the grass from my skirt, watching myself,like a girl after her first loverturning slowly at the bathroom mirror, naked, looking for a sign.But nakedness in women is always a pose.I was not transfigured. I would never be free. ”
“Desire, loneliness, wind in the flowering almond—surely these are the great, the inexhaustible subjectsto which my predecessors apprenticed themselves.I hear them echo in my own heart, disguised as convention.”
“At first I saw you everywhere. Now only in certain things, at longer intervals.”
“He takes her in his armsHe wants to say I love you, nothing can hurt youBut he thinksthis is a lie, so he says in the endYou're dead, nothing can hurt youwhich seems to hima more promising beginning, more true.”