“Someone was playing the piano and, as she concentrated, Olivia realised she recognised Chopin's 'Grande Polonaise'. She stood up and left the library, following the direction of the music, letting her auditory senses lead her eventually to the doorway of the drawing room. She stood where she was, listening to the exquisite rendition of one of her favourite pieces, closing her eyes as the sound emanated from the piano at the other end of the room. (...) Olivia gasped in astonishment when she saw it was Harry.”

“She came into a room; she stood, as he had often seen her, in a doorway with lots of people round her. But it was Clarissa one remembered. Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever; there she was however; there she was.”

“Olivia was her only beautiful child. Julia, with her dark curls and snub nose, was pretty but her character wasn't, Sylvia --- poor Sylvia, what could you say? And Amelia was somehow ...bland, but Olivia, Olivia was spun from light. It seemed impossible that she was Victor's child, although, unfortunately, there was no doubting the fact. Olivia was the only one she loved, although God knows she tried her best with the others. Everything was from duty, nothing from love. Duty killed you in the end.”

“Her room felt wonderful to her, as usual. She looked around with satisfaction… She imagined to herself that she would always live this way, even after she had grown up and moved away from her family. She planned to have exactly the same room wherever she was, because this room was her. No matter what happened out there in the rest of the world, she felt totally comfortable once she got into this room and closed the door.”

“The princess stood in the center of the cabin, her brilliant red robes and the rubies at her throat and her bloodred eyes all the color of hatred. With her stark hair twisted up off her neck, and her pale skin, and the live albino scorpions she wore as earring, she was an exquisite horror, a Kabuki doll constructed by an evil hand. And she was evil, her darkness coming to him in waves, emanating from the center of her chest even as nothing about her moved and her moonlike face remained unmarred by a frown.”

“I never said I didn’t identify with Lily,” she went on, her voice clear and her own. “I think in some way she’s the heart of the book. And her transformation at the end, when she’s finally able to finish her painting, after she doesn’t have anything holding her back…it’s one of the most important scenes in the novel. It’s when she finally realises who she is.”Mr Whitley nodded vaguely, pacing the length of a square-paned window overlooking the courtyard below.“And what was it?” he asked deliberately. “What do you think was holding her back all that time?”Olivia looked down at her feet, feeling every pair of eyes in the class burning holes into the top of her head. Miles’s mushroom loafers were fidgeting under the chair beside her, and she felt him holding his breathe. Her heart was pounding, but this time it was different. Everybody in the room was waiting for her, and that was okay. This time she had things to say.“The past,” Olivia answered finally. “The past was holding her back.”