“Passing from legality to subversion, the need of finding a minimum stimulus with a maximum effect appears—an effect that through its impact justifies the risk taken and pays for it. During certain historical periods, at the level of the object, this meant dealing with and creating mysteries. At the level of situations, and in this case, it means the change of social structure.”

“Art then becomes a safety valve for the expression of individual and collective neuroses originating in the inability of coping with the environment. Its products serve as a retarded correction of perception braked by the system of conventions and stereotypes that stabilize society. They create a slightly updated system which, eventually assimilated by history, will require a new system and so on without end. Art objects serve as points of identification alienated from the consumer, requiring more sympathy than empathy.”

“No art takes places without inspiration. Every artist also needs effective knowledge of his or her tools (e.g., does a certain brush function well with a particular kind of paint?). What’s more, artists need effective techniques for using those tools. Likewise, to express ourselves skillfully with maximum efficiency and minimum effort, we need to investigate the most effective ways of using the mind and body since, in the end, they are the only “tools” we truly possess in life.”

“Matter is energy plus information. You and I, our bodies are matter. Our minds depend on that. There is no part of mind that is not the flux of information and energy at the classical level. At the classical level matter of a certain density may not share space with other matter. You and I cannot cross over. But at the quantum level, all things may pass through each other. But passing through causes a change in states, a change of information. Every change brings loss, creates anomalies. Losses pile up. Anomalies grow. Forgetting occurs. Without the information being isolated from the process, how can what was be made to the same pattern? It is similar, but it is not the same. New organization is possible, but old patterns are gone forever. The longer you stay at quantum level, interacting with lower levels of organization, the more you lose. Perhaps it's better.”

“A book is more than a verbal structure or series of verbal structures; it is the dialogue it establishes with its reader and the intonation it imposes upon his voice and the changing and durable images it leaves in his memory. A book is not an isolated being: it is a relationship, an axis of innumerable relationships.”

“I have no way of knowing whether the events that I am about to narrate are effects or causes.”

“There is nothing in the world that is not mysterious, but the mystery is more evident in certain things than in others: in the sea, in the eyes of the elders, in the color yellow, and in music.”