“Perhaps for many Japanese, autobiographical fiction writing is life. We are a people expected to complement, to harmonize, to anticipate one another's needs. All without a single spoken clue.And the reason is that he's in training to be a writer. Observing detail, understanding irony, interpreting motivation. Hiro knows that acts are symbolic. The hard sour fruit offered too soon in its season carries a message. He has made an error in the timing of his visit. He has inconvenienced that family.This is the Japanese way. Cogitating on inner meaning. Revealing ourselves and perceiving others through carefully crafted scenes. Writing our endless I-stories.”
“Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.”
“It is true that a writer writes first to please himself and that his own satisfaction with what he has done is perhaps his greatest satisfaction. But writing is a means of communication. It is not enough to speak; you must also be heard. The message must be received and understood.”
“All writers, I think, are to one extent or another, damaged people. Writing is our way of repairing ourselves.”
“One ought not to fall in love with someone by way of their writing. One must be especially careful if the writing is good, for then one assumes the writer is good, funny, clever, profound, sensitive, smart, wise, loving, and true. It is unfair to the writer and dangerous to the reader to hold the writer to the standards of his writing, for in his writing, the writer is his best self; in person, he is a person, and we all know what that means.”
“We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most”