“Writing’s initial situation, its point of origin, is often characterized and always complicated by opposing impulses in the writer and by a seeming dilemma that language creates and then cannot resolve. The writer experiences a conflict between a desire to satisfy a demand for boundedness, for containment and coherence, and a simultaneous desire for free, unhampered access to the world prompting a correspondingly open response to it. Curiously, the term inclusivity is applicable to both, though the connotative emphasis is different for each. The impulse to boundedness demands circumscription and that in turn requires that a distinction be made between inside and outside, between the relevant and the (for the particular writing at hand) confusing and irrelevant—the meaningless. The desire for unhampered access and response to the world (an encyclopedic impulse), on the other hand, hates to leave anything out. The essential question here concerns the writer’s subject position.”
“In Tar Baby, the classic concept of the individual with a solid, coherent identity is eschewed for a model of identity which sees the individual as a kaleidoscope of heterogeneous impulses and desires, constructed from multiple forms of interaction with the world as a play of difference that cannot be completely comprehended.”
“He believes that if talent is demanded of a literary publisher or a writer, it must also be demanded of a reader. Because we mustn’t deceive ourselves: on the journey of reading we often travel through difficult terrains that demand a capacity for intelligent emotion, a desire to understand the other, and to approach a language distinct from the one of our daily tyrannies… Writers fail readers, but it also happens the other way around and readers fail writers when all they ask of them is confirmation that the world is how they see it.”
“I have a recurring fantasy that one more article has been added to the Bill of Rights: the right to free access to imagination. I have come to believe that genuine democracy cannot exist without the freedom to imagine and the right to use imaginative works without any restrictions. To have a whole life, one must have the possibility of publicly shaping and expressing private worlds, dreams, thoughts and desires, of constantly having access to a dialogue between the public and private worlds. How else do we know that we have existed, felt, desired, hated, feared?”
“We treat desire as a problem to be solved, address what desire is for and focus on that something and how to acquire it rather than on the nature and the sensation of desire, though often it is the desire between us and the object of desire that fills the space in between with the blue of longing.”
“It was a brutal picture, a tug-of-war between two equal but opposing impulses. It had the ring of truth, however,”