“Never change your originality for the sake of others because no one can play your role better than you.”

“No one can play your role better than you.”

“A German goldsmith covered a bit of metal with cloth in the 14th century and gave mankind its first button. It was hard to know this as politics, because it plays like the work of one person, but nothing is isolated in history -- certain humans are situations.”

“The truth is I’m a chicken shit coward who’s afraid of a girl like you. When I’m with you, I want things I never thought I’d be able to have, or deserved, and that scares me a little. I’m just a regular guy who works in a bar and you’re this beautiful person who shines brighter than the stars.I think I just made up some cheesy poetry so I’ll stop while I’m ahead.If you feel like talking, give me a call. ~DSophie sat down on the floor and, through blurry eyes, reread the note so many times she had it memorized. She was going to do more than give him a call.”

“On the face of it, no one could have been less equipped for the job than these gently nurtured girls who walked straight out of Edwardian drawingrooms into the manifold horrors of the First World War.”

“You don’t like my restaurant, Miss Connor?” “I couldn’t say since the waiting list to get in is six months long.” One side of his mouth curved up. “This is true.” His finger lingered, and I tried to swallow the nervous lump in my throat. “I think you can call me by my first name now, seeing as how you’re touching my boob. That puts us a little past formality, don’t you think?”

“Writing’s initial situation, its point of origin, is often character­ized and always complicated by opposing impulses in the writer and by a seeming dilemma that language creates and then cannot resolve. The writer experiences a conflict between a desire to sat­isfy a demand for boundedness, for containment and coherence, and a simultaneous desire for free, unhampered access to the world prompting a correspondingly open response to it. Curi­ously, the term inclusivity is applicable to both, though the connotative emphasis is different for each. The impulse to bounded­ness demands circumscription and that in turn requires that a dis­tinction be made between inside and outside, between the rele­vant and the (for the particular writing at hand) confusing and irrelevant—the meaningless. The desire for unhampered access and response to the world (an encyclopedic impulse), on the other hand, hates to leave anything out. The essential question here concerns the writer’s subject position.”