“You are such a piece of shit,” I yell into the quiet cab, slapping the horn accidentally. It makes a sound like a wounded duck. “Don’t you talk back to me! You’re this close to going to car heaven at the junk yard.”

“What are you talking about? You’re like a professional boyfriend.”“Thanks. You make me sound like a gigolo.”

“The way you’re talking…” Tears were shining in Kian’s eyes. “It sounds like you don’t think you’re coming back.” Kian to Bree, Spring Frost (Frost Series #7)”

“On Proper Etiquette for Borrowing His Car “You borrowed the car, and now it smells like shit. I don’t care if you smell like shit, that’s your business. But when you shit up my car, then that’s my business. Take it somewhere and un-shit that smell.”

“But none of them taught me the things I learned from Carrie White. The most important is that the writer’s original perception of a character or characters may be as erroneous as the reader’s. Running a close second was the realization that stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position.”

“I don't yell back at my mother. When I'm angry or scared or upset, I don't yell. I stay quiet. I've seen how she is, how she would get with Kent and with me and with other people, life if someone at the pharmacy got in the wrong line or asked too long a question, or if someone on the bus accidentally bumped her. I've watched her my whole life, the way people react to her. It doesn't actually help you get what you want, yelling and being like that. It only makes people think bad of you.”