“Wow…At least I can rest assured that you definitely can’t read my mind,” I remarked. “Clearly you know nothing about me…because the surest way to keep me from doing something is to tell me I have no other choice.”

“Could you not give me some sign, or tell me something about you that never changes, or some other way to know you, or thing to know you by?" — "No, Curdie: that would be to keep you from knowing me. You must know me in quite another way from that. It would not be the least use to you or me either if I were to make you know me in that way. It would be but to know the sign of me — not to know me myself.”

“I could hold you prisoner here for the rest of the day and list everything I love about you, but that’s only half of it,” he explained, turning toward me. “The other half is something I can’t put into words. Something I don’t think I’ll ever be able to. It’s something that ties me to you, and you to me. Call it chemistry, call it fate, call it whatever you want. All I know is that I’m yours just as much as you’re mine, Luce. That’s the surest thing I’ve ever known.”

“I do want it. I want you to stay. Time and disease are taking you from me. You’ve told me, made it clear, this is the only way I can keep you close. I will not lose that.”

“How the excitement comes upon me to tell it all! In the quest of writing, the heart can speed up with anticipation--as it does, indeed, during the chase itself of whales. I can swear it, having done both, and I will tell YOU though other writers may not. My heart is beating fast; I am in pursuit; I want my victory--that you should see and hear and above all feel the reality behind these words. For they are but a mask. Not the mask that conceals, not a mask that I would have you strike through as mere appearance, or, worse, deceitful appearance. Words need not be that kind of mask, but a mask such as the ancient Greek actors wore, a mask that expresses rather than conceals the inner drama.(But do you know me? Una? You have shipped long with me in the boat that is this book. Let me assure you and tell you that I know you, even something of your pain and joy, for you are much like me. The contract of writing and reading requires that we know each other. Did you know that I try on your mask from time to time? I become a reader, too, reading over what I have just written. If I am your shipbuilder and captain, from time to time I am also your comrade. Feel me now, standing beside you, just behind your shoulder?)”

“These people have history and I crave history. I crave someone knowing me so well that they can tell what I'm thinking. Jonah Griggs takes my hand under the table and links my fingers with his and I know that I would sacrifice almost anything just to keep this state of mind, for the rest of the week at least.”