“...Love, my lads! And above all, love pretty, charming girls; they are the remedy for evil, they give a sweet smell to rottenness, they exchange life for death...Love, my lads!”

“He felt that there is a loose balance of good and evil, and that the art of living consists in getting the greatest good out of the greatest evil.”

“he best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.”

“The best thing to do is to loosen my grip on my pen and let it go wandering about until it finds an entrance. There must be one – everything depends on the circumstances, a rule applicable as much to literary style as to life. Each word tugs another one along, one idea another, and that is how books, governments and revolutions are made – some even say that is how Nature created her species.”

“Observe now with what skill, with what art, I make the biggest transition in this book. Observe: my delirium began in the presence of Virgilia; Virigilia was the great sin of my youth; there is no youth without childhood; childhood presupposes birth; and so we arrive, effortlessly, at October 20, 1805, the date of my birth.”

“As it is my practice here to conceal nothing, I shall relate on this page the episode of the wall. Virigilia and Lobo Neves were soon to sail. Entering Dona Placida’s house, I saw on the table a folded piece of paper. It was a note from Virgilia. It said that she would be waiting for me in the garden at sundown, without fail. It concluded, “The wall is low on the side toward the little path.” I made a gesture of displeasure. The letter seemed to me extraordinary audacious, ill-considered, and even ridiculous. It not only invited scandal, it invited it together with laughter and sneers. I pictured myself leaping over the wall and caught in the act by an officer of the law, who led me off to jail. “The wall is low…” And what if it was low? Obviously Virgilia did not know what she was doing; perhaps by now she wished she had not sent the note. I looked at it, a small piece of paper, wrinkled by inflexible. I felt an urge to tear it in thirty thousand pieces and to throw it to the wind as the last vestige of my adventure; but I did not do so. Self-love, shame at the thought of fleeing from danger…There was no way out; I would have to go. “Tell her I’ll go.” “Where?” asked Dona Placida. “Where she said she would wait for me.” “She said nothing to me.” “In this note.” Dona Placida stared. “But this paper, I found it this morning in your drawer, and I thought that…” I felt a queer sensation. I reread the paper and looked at it a long time; it was, indeed an old note that Virgilia had sent me in the early days of our love, and I had leaped the cooperatively low wall and had met her in the garden. I had put the note away and…I felt a queer sensation.”

“Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.”