“The reader, like his fellows, doubtless prefers action to reflection, and doubtless he is wholly in the right. So we shall get to it. However, I must advise that this book is written leisurely, with the leisureliness of a man no longer troubled by the flight of time; that is a work supinely philosophical, but of a philosophy wanting in uniformity, now austere, now playful, a thing that neither edifies nor destroys, neither inflames nor chills, and that is at once more of a pastime and less than a preachment.”

“There he is, bent over the page, with a monocle in his right eye, wholly devoted to the noble but rugged task of ferreting out the error. He has already promised himself to write a little monograph in which he will relate the finding of the book and the discovery of the error, if there really is one hidden there. In the end, he discovers nothing and contents himself with possession of the book. He closes it, gazes at it, gazes at it again, goes to the window and holds it in the sun. The only copy! At this moment a Caesar or a Cromwell passes beneath his window, on the road to power and glory. He turns his back, closes the window, stretches in his hammock, and fingers the leaves of the book slowly, lovingly, tasting it sip by sip...An only copy!”

“Then I said to myself, "If the centuries are going by, mine will come too, and will pass, and after a time the last century of all will come, and then I shall understand." And I fixed my eyes on the ages that were coming and passing on; now I was calm and resolute, maybe even happy. Each age brought its share of light and shade, of apathy and struggle, of truth and error, and its parade of systems, of new ideas, of new illusions; in each of them the verdure of spring burst forth, grew yellow with age, and then, young once more, burst forth again. While life thus moved with the regularity of a calendar, history and civilization developed; and man, at first naked and unarmed, clothed and armed himself, built hut and palace, villages and hundred-gated Thebes, created science that scrutinizes and art that elevates, made himself an orator, a mechanic, a philosopher, ran all over the face of the globe, went down into the earth and up to the clouds, performing the mysterious work through which he satisfied the necessities of life and tried to forget his loneliness. My tired eyes finally saw the present age go by end, after it, future ages. The present age, as it approached, was agile, skillful, vibrant, proud, a little verbose, audacious, learned, but in the end it was as miserable as the earlier ones. And so it passed, and so passed the others, with the same speed and monotony.”

“Observe now with what skill, with what art, I make the biggest transition in this book. Observe: my delirium began in the presence of Virgilia; Virigilia was the great sin of my youth; there is no youth without childhood; childhood presupposes birth; and so we arrive, effortlessly, at October 20, 1805, the date of my birth.”

“Imagine a man between thirty-eight and forty, tall, slim, and pale. His clothes, except for their style, looked as if they'd escaped from the Babylonian captivity. The hat was a contemporary of one of Gessler's. Imagine now a frock coat broader than the needs of his frame--or, literally, that person's bones. The fringe had disappeared some time ago, of the eight original buttons, three were left. The brown drill trousers had two strong knee patches, while the cuffs had been chewed by the heels of boots that bore no pity or polish. About his neck the ends of a tie of two faded colors floated, gripping a week-old collar. I think he was also wearing a dark silk vest, torn in places and unbuttoned. "I'll bet you don't know me, my good Dr. Cubas," he said. "I can't recall...""I'm Borba, Quincas Borba.”

“Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.”

“The next day, he read to me a freshly composed dirge in which the circumstances of his wife’s death and burial were commemorated. He read it in a voice quavering with emotion, and the hand that held the paper was trembling. When he had finished, he asked me whether the verses were worthy of the treasure that he had lost. “They are,” I said. “They may lack poetic inspiration,” he remarked, after a moment’s hesitation, “but no one can deny them sentiment—although possibly the sentiment itself prejudices the merits…” “Not in my opinion. I find the poem perfect.” “Yes, I suppose, when you consider…Well, after all, it’s just a few lines written by a sailor.” “By a sailor who happens to be also a poet.” He shrugged his shoulders, looked at the paper, and recited his composition again, but this time without quavering or trembling, emphasizing the literary qualities and bringing out the imagery and music in the verses. When he had finished, he expressed the opinion that it was the most finished of his works, and I agreed. He shook my hand and predicted a great future for me.”