“She began to feel the sense of wonderful elation that always came to her when beauty took hold of her and made her forget her fears.”

“What was the problem then? She must try t get hold of something that evaded her. It evaded her when she thought of Mrs. Ramsay; it evaded her now when she thought of her picture. Phrases came. Visions came. Beautiful pictures. Beautiful phrases. But what she wished to get hold of was that very jar on the nerves, the thing itself before it has been made anything. Get that and start afresh; get that and start afresh;she said desperately, pitching herself firmly again before her easel. It was a miserable machine, an inefficient machine, she thought, the human apparatus for painting or feeling; it always broke down at the critical moment; heroically, one must force it on.”

“Her laugh was sad and taciturn, seemingly detached from any feeling of the moment, like something she kept in the cupboard and took out only when she had to, using it with no feeling of ownership, as if the infrequency of her smiles had made her forget the normal way to use them.”

“As he took her hand she saw him look her over from head to foot, a gesture she recognized and that made her feel at home, but gave her always a faint feeling of superiority to whoever made it. If her person was property she could exercise whatever advantage was inherent in its ownership.”

“She was floating as the sea of pleasure took her out upon its rising tide and when she became aware of herself again it was to the feel of Zac behind her, supporting her weight by holding her under her arms." (Barely Restrained, 2011)”

“Anna took a knife and fork in her beautiful, white, ring-adorned hands and began to demonstrate. She obviously could see that her explanation could not make anything understood, but, knowing that her speech was pleasant and her hands were beautiful, she went on explaining.”