“We can't take any credit for our talents. It's how we use them that counts.”

“It's idiotic, it's crazy. If you die and then you're just nothing, there isn't any point to anything. Why do we live at all if we die and stop being? Father wasn't ready to be stopped. No one's ready to be stopped. We don't have *time* to be ready to be stopped. It's all crazy. . . . Look at my glasses. I can't even see that there are any stars in the sky without them, but it's not the glasses that are doing the seeing, it's me, Madeleine. I don't think Father's eyes are seeing now, but *he* is. And maybe his brain isn't thinking, but a brain's just something to think through, the way my glasses are something to see through.”

“Our story is never written in isolation. We do not act in a one-man play. We can do nothing that does not affect other people, no matter how loudly we say, "It's my own business.”

“Alas. What have we done to our good, bawdy, Anglo-Saxon four-letter words? ...We have blunted them so with overuse that they no longer have any real meaning for us. ...When will we be able to redeem our shock words? They have been turned to marshmallows. ...We no longer have anything to cry in time of crisis. 'Help!' we bleat. And no one hears us. 'Help' is another of those four-letter words that don't mean anything any more.”

“The world has been abnormal for so long that we've forgotten what it's like to live in a peaceful and reasonable climate. If there is to be any peace or reason, we have to create it in our own hearts and homes.”

“When I start a new seminar I tell my students that I will undoubtedly contradict myself, and that I will mean both things. But an acceptance of contradiction is no excuse for fuzzy thinking. We do have to use our minds as far as they will take us, yet acknowledge that they cannot take us all the way.”

“If our lives are truly "hid with Christ in God," the astounding thing is that this hiddenness is revealed in all that we do and say and write. What we are is going to be visible in our art, no matter how secular (on the surface) the subject may be.”