“When Dove moves up from a canter to a gallop, sometimes the only way I can tell the difference is because her hooves pound a four-time rhythm instead of a three. But when Corr moves into a gallop, it's as if it's a gait that's just been invented, something so much faster than all the others that it should be called something else...Each stride feels like it takes us a mile. We'll run out of island before he runs out of speed. We're giants, on his back.”

“I'm just not a good psychic. I can tell when something's not right, sometimes, but I can't tell what it is, or when it is, or if I'm supposed to do anything about it. I've tried to make it make sense, but I can't. It's just feelings instead of words.”

“Where will you and Corr be?" I ask. Sean presses two fingers along the edge of the counter sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says," Right next to you and Dove." I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eye from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you don't have to worry about.”

“I think of Sean folded low over the red stallion, riding bareback at the top of the cliffs. Of the easy way they had with each other when I met him to look at the uisce mare. I think, even, of the way Sean looked when he stood on the bloody festival rock and said his name, and then Corr's, like it was just one fact after the other. Of the way he said "the sky and the sand and the sea and Corr" to me. And I feel a bite of unfairness, because in everything but name, it seems to me that Sean Kendrick already owns Corr.”

“I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eyes from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you won't have to worry about." I say, "I will not be your weakness, Sean Kendrick." Now he looks at me. He says, very softly, "It's late for that, Puck.”

“Something tells me my spit wouldn't mean as much to Corr as yours would." There's a long Pause before Sean speaks. He says, "Maybe not yet." Yet! I don't think I've ever heard such a fine word before.”

“She stands like she’s trouble, and though her jagged haircut is trying too hard to tell me that she doesn’t care what I think, the pugnacious set of her mouth tells me everything I need to know about why she got dropped out of all those schools. The hair is what tells me she needs help, all right, but her mouth tells me she doesn’t need that much and she probably just needs time to work it out for herself. And I want, want, want to tell her not to sign the paperwork and to instead go out with me and live happily ever after in a tiny apartment in Baltimore because I always liked Baltimore and we could have two poodles, both shaved strangely to attract attention because I can see that’s a big part of her, and pretty much eat take out spring rolls every night, because that’s a big part of me.”