“If Caribbean writers have one single unifying theme, it is a strong sense of place, and of home. There is also - always, beneath the humour, which is a West Indian characteristic - a sadness: an awareness of a past that can never really be forgotten, or forgiven.”

Malcolm Bradbury

Malcolm Bradbury - “If Caribbean writers have one single...” 1

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“One of the effects of indoctrination, of passing into the anglo-centrism of British West Indian culture, is that you believe absolutely in the hegemony of the King's English and in the proper forms of expression. Or else your writing is not literature; it is folklore, or worse. And folklore can never be art. Read some poetry by West Indian writers--some, not all--and you will see what I mean. The reader has to dissect anglican stanza after anglican stanza for Caribbean truth, and may never find it. The anglican ideal -- Milton, Wordsworth, Keats -- was held before us with an assurance that we were unable, and would never be able, to achieve such excellence. We crouched outside the cave.”

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“Life is really very fantastic, and one has to have a peculiar sense of humour to see the fun of it.[Virtue]”

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“The past cannot be undone. At best it can be understood so, perhaps, it can also be forgiven.”

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“Maybe the definition of home is the place where you are never forgiven. So you may always belong there, bound by guilt. And maybe the cost of belonging is worth it.”

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“The anarch differs from the anarchist in that he has a very pronounced sense of the rules. Insofar as and to the extent that he observes them, he feels exempt from thinking.This is consistent with normal behavior: everyone who boards a train rolls over bridges and through tunnels that engineers have devised for him and on which a hundred thousand hands have labored. This does not darken the passenger’s mood; settling in comfortably, he buries himself in his newspaper, has breakfast, or thinks about his business. Likewise, the anarch – except that he always remains aware of that relationship, never losing sight of his main theme, freedom, that which also flies outside, past hill and dale. He can get away at any time, not just from the train, but also from any demand made on him by state, society, or church, and also from existence.”

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