“This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.”

“And it is because they contain thus within themselves the hours of the past that human bodies have the power to hurt so terribly those who love them, because they contain the memories of so many joys and desires already effaced for them, but still cruel for the lover who contemplates and prolongs in the dimension of Time the beloved body of which he is jealous, so jealous that he may even wish for its destruction. For after death Time withdraws from the body, and the memories, so indifferent, grown so pale, are effaced in her who no longer exists, as they soon will be in the lover whom for a while they continue to torment but in whom before long they will perish, once the desire that owed their inspiration to a living body is no longer there to sustain them. Profound Albertine, whom I at once saw sleeping, and who was dead.”

“Maybe there are just some men like that in the world, I thought. Men who have to be in charge, who have to punish those who awaken feelings in them which they cannot control. Men who will lure you with tenderness till you believe that you are safe then slap you down. Men whom it is impossible for anyone to love without losing their dignity. Men who have to damage those who love them most. But, then, I had fallen on love with one, so what did that make me?”

“Countrymen: I have given proofs, as well as the best of you, of desiring liberty for our country, and I continue to desire it. But I place as a premise the education of the people, so that by means of instruction and work they may have a personality of their own and that they may make themselves worthy of that same liberty. In my writings I have recommended the study of the civic virtues, without which there can be no redemption. I have also written (and my words have been repeated) that reforms, to be fruitful, must come from above, that those which spring from below are uncertain and insecure movements. Imbued with these ideas, I cannot do less than condemn, and I do condemn, this absurd, savage rebellion, planned behind my back, which dishonors the Filipinos and discredits those who can speak for us. I abominate all criminal actions and refuse any kind of participation in them, pitying with all my heart the dupes who have allowed themselves to be deceived. Go back, then, to your homes, and may God forgive those who have acted in bad faith.”

“I had to learn to think, feel and see in a totally new fashion, in an uneducated way, in my own way, which is the hardest thing in the world. I had to throw myself into the current, knowing that I would probably sink. The great majority of artists are throwing themselves in with life-preservers around their necks, and more often than not it is the life-preserver which sinks them.”

“As for reading, I doubt whether she did much better by the sea-side than she had done in the town. Men and women say that they will read, and think so—those, I mean, who have acquired no habit of reading—believing the work to be, of all works, the easiest. It may be work, they think, but of all works it must be the easiest of achievement. Given the absolute faculty of reading, the task of going through the pages of a book must be, of all tasks, the most certainly within the grasp of the man or woman who attempts it. Alas! no; if the habit be not there, of all tasks it is the most difficult.”