“Better not to invent her in her absence. Better to wait until she's actually here. Then he can make her up as she goes along.”

“She goes off to see a shrink, to see if she can improve herself, make herself over into a new woman, one who no longer gives a shit. She would like that. The shrink is a nice person; Roz likes her. Together the two of them labor over Roz's life as if it's a jigsaw puzzle, a mystery story with a solution at the end. They arrange and rearrange the pieces, trying to get them to come out better. They are hopeful: if Roz can figure out what story she's in, then they will be able to spot the erroneous turns she took, they can retrace her steps, they can change the ending. They work out a tentative plot.”

“But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries.”

“On the whole she fares better with the men, if they can work their way past the awkward preliminaries; if they can avoid calling her "little lady," or saying they weren't expecting her to be so feminine, by which they mean short. Though only the most doddering ones do that any more. If she weren't so tiny, though, she'd never get away with it. If she were six feet tall and built like a blockhouse; if she had hips. Then she'd be threatening, then she'd be an Amazon. It's the incongruity that grants her permission. A breath would blow you away, they beam down at her silently. You wish, thinks Tony, smiling up. Many have blown.”

“Also she went in for culture, which gave her a certain moral authority. It wouldn't now; but people believed, then, that culture could make you better - a better person. They believed it could uplift you, or the women believed it. They hadn't yet seen Hitler at the opera house.”

“Then she let him lick her fingers for her. He ran his tongue around the small ovals of her nails. This was the closest she could get to him without becoming food: she was in him, or part of her was in part of him. Sex was the other way around: While that was going on, he was in her. I'll make you mine, lovers said in old books. They never said, I'll make you me.”

“But if Crake wanted her to stay longer on any given night, do it again maybe, she'd make some excuse—jet lag, a headache, something plausible. Her inventions were seamless, she was the best poker-faced liar in the world, so there would be a kiss goodbye for stupid Crake, a smile, a wave, a closed door, and the next minute there she would be, with Jimmy.”