“Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program.Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.”
In this passage from Margaret Atwood's novel, "Oryx and Crake," the protagonist Snowman reflects on the new genetically engineered women in this dystopian world. Snowman is struck by the perfection of these women, who resemble retouched fashion models with flawless bodies and skin. However, despite their physical beauty, Snowman finds himself unaroused by them. He realizes that it was the imperfections and flaws in human design that used to attract him, as they made individuals unique and real. Snowman's past preference for sad, delicate women who needed him contrasts sharply with the emotionless, perfect women he now encounters. This passage highlights the theme of human imperfection and the complexities of desire in a world where genetic engineering has erased physical flaws and the authentic human experience.
In this passage from Margaret Atwood's "Oryx and Crake," the protagonist Snowman's lack of attraction towards the perfect, flawless women he encounters highlights the idea that human imperfections and vulnerabilities are often what make individuals truly appealing. In today's world, where societal pressures and unrealistic beauty standards reign supreme, this concept serves as a reminder that it is our quirks, flaws, and imperfections that make us unique and real. Let's explore this idea further.
In this excerpt from Margaret Atwood's novel, "Oryx and Crake," the protagonist Snowman reflects on his past relationships with women and his current indifference towards the genetically engineered women created by the society he now inhabits. The passage explores Snowman's nostalgia for imperfections and the complexities of human relationships.
In this passage from Margaret Atwood's novel, "Oryx and Crake," Snowman reflects on the women he encounters in the post-apocalyptic world and how they differ from the women he knew before. Consider the following questions to delve deeper into Snowman's observations and feelings:
“It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. Was it consolation he’d had in mind, kissing the wound to make it better?”
“So Crake never remembered his dreams. It's Snowman that remembers them instead. Worse than remembers: he's immersed in them, he'd wading through them, he's stuck in them. Every moment he's lived in the past few months was dreamed first by Crake. No wonder Crake screamed so much.”
“He had a smug smile on his lips like he knew, even in his sleep, that women all around him were dying from love because he'd taken their hearts and hidden them where they'd never find them.”
“In his student days, he used to argue that if a woman has no other course open to her but starvation, prostitution, or throwing herself from a bridge, then surely the prostitute, who has shown the most tenacious instinct for self-preservation, should be considered stronger and saner than her frailer and no longer living sisters. One couldn't have it both ways, he'd pointed out: if women are seduced and abandoned they're supposed to go mad, but if they survive, and seduce in their turn, then they were mad to begin with.”
“Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
“Feathers," he says.They ask this question at least once a week. He gives the same answer. Even over such a short time — two months, three? He's lost count — they've accumulated a stock of lore, of conjecture about him: Snowman was once a bird but he's forgotten how to fly and the rest of his feathers fell out, and so he is cold and he needs a second skin, and he has to wrap himself up. No: he's cold because he eats fish, and fish are cold. No: he wraps himself up because he's missing his man thing, and he doesn't want us to see. That's why he won't go swimming. Snowman has wrinkles because he once lived underwater and it wrinkled up his skin. Snowman is sad because the others like him flew away over the sea, and now he is all alone.”