“From nowhere, a word appears: Mesozoic. He can see the word, he can hear the word, but he can't reach the word. He can't attach anything to it. This is happening too much lately, this dissolution of meaning, the entries on his cherished wordlists drifting off into space.”

“It's his word against the Commander's, unless he wants to head a posse. Kick in the door, and what did I tell you? Caught in the act, sinfully Scrabbling. Quick, eat those words. ”

“Don't blame me, blame history, he says, smiling. Such things happen. Falling in love has been recorded, or at least those words have.”

“Oryx,” he says. “I know you’re there.” He repeats the name. It’s not even her real name, which he’d never known anyway; it’s only a word. It’s a mantra. Sometimes he can conjure her up. At first she’s pale and shadowy, but if he can say her name over and over, then maybe she’ll glide into his body and be present with him in his flesh, and his hand on himself will become her hand. But she’s always been evasive, you can never pin her down. Tonight she fails to materialize and he is left alone, whimpering ridiculously, jerking off all by himself in the dark.”

“A puff of air—whuff!—hits his ears, blows out the candle. He can't be bothered relighting it, because the bourbon is taking over. He'd rather stay in the dark. He can sense Oryx drifting towards him on her soft feathery wings. Any moment now she'll be with him. He sits crouched in the chair with his head down on the desk and his eyes closed, in a state of misery and peace.”

“Should is a futile word. It's about what didn't happen. It belongs in a parallel universe. It belongs in another dimension of space.”

“When any civilization is dust and ashes," he said, "art is all that's left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.”