“Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words—and up to a point, of course—the less we eat, the more we fuck.”

“Jimmy, look at it realistically. You can't couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn't seem to be able to cut himself off at the supply end. He's one of the few species that doesn't limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.""How to do you account for that?" said Jimmy"Imagination," said Crake. "Men can imagine their own deaths...human beings hope they can stick their souls into someone else...and live on forever.”

“…Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.’‘How do you account for that?’ said Jimmy.‘Imagination,’ said Crake, ‘Men can imagine their own deaths, they can see them coming, and the mere thought of impending death acts like an aphrodisiac. A dog or a rabbit doesn’t behave like that. Take birds - in a lean season they cut down on the eggs, or they don’t mate at all. They put their energy into staying alive themselves until times get better. But human beings hope they can stick their souls into someone else, some new version of themselves, and live on forever.’‘As a species we’re doomed by hope then?’ ‘You could call it hope. That, or desperation.’ ‘But we’re doomed without hope, as well,’ said Jimmy.‘Only as individuals,’ said Crake cheerfully.‘Well, it sucks.’‘Jimmy, grow up.’Crake wasn’t the first person who ever said that to Jimmy.”

“They seemed to be able to choose. We seemed to be able to choose, then. We were a society dying of too much choice.”

“The sky darkens from ultramarine to indigo. God bless the namers of oil paints and high-class women’s underwear, Snowman thinks. Rose-Petal Pink, Crimson Lake, Sheer Mist, Burnt Umber, Ripe Plum, Indigo, Ultramarine – they’re fantasies in themselves, such words and phrases. It’s comforting to remember that Homo sapiens sapiens was once so ingenious with language, and not only with language. Ingenious in every direction at once.”

“Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of stasis. A pinprick in the paper: you could put your eye to it and see through, to the other side, to the beginning of something else. Or, as Tony says to her students, Time is not a solid, like wood, but a fluid, like water or the wind. It doesn't come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.”

“It isn't running away they're afraid of. We wouldn't get far. It's those other escapes, the ones you can open in yourself, given a cutting edge.”