“My life had a tendency to spread, get flabby, to scroll and festoon like the frame of a baroque mirror, which came from following the line of least resistance. I wanted my death, by contrast, to be neat and simple, understated, even a little severe, like a Quaker church or the basic black dress with a single strand of pearls...”

“I planned my death carefully, unlike my life, which meandered along from one thing to another, despite my feeble attempts to control it.”

“All those years I'd kept an outline of my father in my head, like a chalk line enclosing a father-shaped space. When I was little, I'd coloured it in often enough. But those colours had been too bright and the outline had been too large...”

“A hot wind was blowing around my head, the strands of my hair lifting and swirling in it, like ink spilled in water.”

“That image - of a little child being suffocated, or almost suffocated, by others who thought the whole thing was a game - melded with the furtive nocturnal slugs, and my solitary pacing and singing, and the separate, claustrophobic stairway, and the charmless abstract painting, and the gold-framed mirror, and the slithery green satin bedspread, and became inseperable from them. It wasn't a cheerful composite. As a memory, it is more like a fog bank than a sunlit meadow. Yet I think of that period as having been a happy time in my life.Happy is the wrong word. Important.”

“I find the entrance to the women's washroom...There's a rest area, gently lit in pinkish tones, with several easy chairs and a sofa, in a lime-green bamboo-shoot print, with a wall clock above it in a gold filigree frame. Here they haven't removed the mirror, there's a long one opposite the sofa. You need to know, here, what you look like.”

“There's an epigram tacked to my office bulletin board, pinched from a magazine -- "Wanting to meet an author because you like his work is like wanting to meet a duck because you like pâté.”