“Roz added sheep to Heaven. They would be outside the window, naturally.”

“She goes off to see a shrink, to see if she can improve herself, make herself over into a new woman, one who no longer gives a shit. She would like that. The shrink is a nice person; Roz likes her. Together the two of them labor over Roz's life as if it's a jigsaw puzzle, a mystery story with a solution at the end. They arrange and rearrange the pieces, trying to get them to come out better. They are hopeful: if Roz can figure out what story she's in, then they will be able to spot the erroneous turns she took, they can retrace her steps, they can change the ending. They work out a tentative plot.”

“. . . they lurk passively, like vampire sheep”

“A bachelor, a studio, those were the names for that kind of apartment. Separate entrance it would say in the ads, and that meant you could have sex, unobserved.”

“You want the truth, of course. You want me to put two and two together. But two and two doesn’t necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labeled bones.”

“but nothing I ever gave was good for you;it was like white bread to goldfish.they cram and cram, and it kills them,and they drift in the pool, belly-up,making stunned facesand playing on our guiltas if their own toxic gluttonywas not their own faultthere you are, still outside the window,still with your hands out, stillpallid and fish-eyed, still actingstupidly innocent and starved.”

“a few brown leaves are stuck to the outside of the glass like leather tongues.”