“What she read was a series of short connected lyrics, “Isis in Darkness.” The Egyptian Queen of Heaven and Earth was wandering in the Underworld, gathering up pieces of the murdered and dismembered body of her lover Osiris. At the same time, it was her own body she was putting back together; and it was also the physical universe. She was creating the universe by an act of love.”

Margaret Atwood
Love Time Positive

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“But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries.”


“She must have heard the door opening and closing in the middle of the night; she produces a smile, warm, conspiratorial, and I know what circuits are closing in her head: by screwing Joe she's brought us back together. Saving the world, everyone wants to; men think they can do it with guns, women with their bodies, love conquers all, conquerors love all, mirages raised by words.”


“For an instant she felt them, their identities, almost their substance, pass over her head like a wave. At some time she would be — or no, already she was like that too; she was one of them, her body the same, identical, merged with that other flesh that choked the air in the flowered room with its sweet organic scent; she felt suffocated by this thick sargasso-sea of femininity.”


“She was an infallible prophetess, and these powers came from her ability to look into the patterns of the universe.”


“She imagines him imagining her. This is her salvation.In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they’d loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?”


“There are things I need to ask her. Not what happened, back then in the time I lost, because now I know that. I need to ask her why. If she remembers. Perhaps she’s forgotten the bad things, what she said to me, what she did. Or she does remember them, but in a minor way, as if remembering a game, or a single prank, a single trivial secret, of the kind girls tell and then forget. She will have her own version. I am not the centre of her story, because she herself is that. But I could give her something you can never have, except from another person: what you look like from outside. A reflection. This is part of herself I could give back to her. We are like the twins in old fables, each of whom has been given half a key.”