“Writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear or and fascination with mortality - by a desire to make the risky trip to the underworld and to bring something or someone back from the dead. ”

“Perhaps I write for no one. Perhaps for the same person children are writing for when they scrawl their names in the snow.”

“I thought my heart was pure. We do like to have such good opinions of our own motives when we're about to do something harmful, to someone else.”

“The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.”

“Immortality,' said Crake, ' is a concept. If you take 'mortality' as being, not death, but the foreknowledge of it and the fear of it, then 'immortality' is the absence of such fear. Babies are immortal. Edit out the fear, and you'll be...”

“When I saw that, the evidence left by two people, of love or something like it, desire at least, at least touch, between two people now perhaps old or dead, I covered the bed again and lay down on it. I looked up at the blind plaster eye in the ceiling. I wanted to feel Luke lying beside me. I have them, these attacks of the past, like faintness, a wave sweeping over my head. Sometimes it can hardly be borne. What is to be done, what is to be done, I thought. There is nothing to be done. They also serve who only stand and wait. Or lie down and wait. I know why the glass in the window is shatterproof, and why they took down the chandelier. I wanted to feel Luke lying besides me, but there wasn't room.”

“Ah men,why do you want all this attention?I can write poems for myself, make love to a doorknob if absolutelynecessary. What do you have to offer meI can't find otherwiseexcept humiliation? Which I no longerneed.”