“The people I love the bestjump into work head firstwithout dallying in the shallowsand swim off with sure strokes almost out of sight.They seem to become natives of that element,the black sleek heads of sealsbouncing like half submerged balls.I love people who harness themselves, an ox to a heavy cart,who pull like water buffalo, with massive patience,who strain in the mud and the muck to move things forward,who do what has to be done, again and again.I want to be with people who submergein the task, who go into the fields to harvestand work in a row and pass the bags along,who stand in the line and haul in their places,who are not parlor generals and field desertersbut move in a common rhythmwhen the food must come in or the fire be put out.The work of the world is common as mud.Botched, it smears the hands, crumbles to dust.But the thing worth doing well donehas a shape that satisfies, clean and evident.Greek amphoras for wine or oil,Hopi vases that held corn, are put in museumsbut you know they were made to be used.The pitcher cries for water to carryand a person for work that is real.”
“A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.”
“The real writer is one who really writes. Talent is an invention like phlogiston after the fact of fire. Work is its own cure. You have to like it better than being loved.”
“No, It's not fair. But I was thinking more along the lines of the Pentagon and Washington itself. Sometimes I suspect that those who are running things might grow addicted to power. Secrecy's essential in wartime, but once in place, will it ever be removed?”
“Writing implies faith in someone listening,/ different in content but not need/ from the child who cries in the night./ Making is an attack on dying, on chaos,/ on blind inertia, on the second law/ of thermodynamics, on indifference, on cold,/ on contempt, on the silence/ that does not follow the chord resolved,/ the sentence spoken, but the something/ that cannot be said.”
“Don't be ridiculous! You waste less time than anyone I know.''You don't know, sweetie. For years I've had down days. Days I just can't cope. Can't get on with anything. Can't get up and out or at it or whatever.''Not enough to keep you from being invaluable politically.”