“To Have Without Holding:Learning to love differently is hard,love with the hands wide open, lovewith the doors banging on their hinges,the cupboard unlocked, the windroaring and whimpering in the roomsrustling the sheets and snapping the blindsthat thwack like rubber bandsin an open palm.It hurts to love wide openstretching the muscles that feelas if they are made of wet plaster,then of blunt knives, thenof sharp knives.It hurts to thwart the reflexesof grab, of clutch, to love and letgo again and again. It pesters to rememberthe lover who is not in the bed,to hold back what is owed to the workthat gutters like a candle in a cavewithout air, to love consciously,conscientiously, concretely, constructively.I can't do it, you say it's killingme, but you thrive, you glowon the street like a neon raspberry,You float and sail, a helium balloonbright bachelor's buttons blue and bobbingon the cold and hot winds of our breath,as we make and unmake in passionatediastole and systole the rhythmof our unbound bonding, to haveand not to hold, to lovewith minimized malice, hungerand anger moment by moment balanced.”
“A strong woman is a woman who craves love like oxygen or she turns blue choking. A strong woman is a woman who loves strongly and weeps strongly and is strongly terrified and has strong needs. A strong woman is strong in words, in action, in connection, in feeling; she is not strong as a stone but as a wolf suckling her young. Strength is not in her, but she enacts it as the wind fills a sail.”
“The real writer is one who really writes. Talent is an invention like phlogiston after the fact of fire. Work is its own cure. You have to like it better than being loved.”
“There is no justice we don't make daily like bread and love.”
“Attention is love, what we must givechildren, mothers, fathers, pets,our friends, the news, the woes of others.What we want to change we curse and thenpick up a tool. Bless whatever you canwith eyes and hands and tongue. If youcan't bless it, get ready to make it new.”
“I said, I like my life. If Ihave to give it back, if theytake it from me, let menot feel I wasted any, let menot feel I forgot to love anyoneI meant to love, that I forgotto give what I held in my hands,that I forgot to do some littlepiece of the work that wantedto come through.”
“The people I love the bestjump into work head firstwithout dallying in the shallowsand swim off with sure strokes almost out of sight.They seem to become natives of that element,the black sleek heads of sealsbouncing like half submerged balls.I love people who harness themselves, an ox to a heavy cart,who pull like water buffalo, with massive patience,who strain in the mud and the muck to move things forward,who do what has to be done, again and again.I want to be with people who submergein the task, who go into the fields to harvestand work in a row and pass the bags along,who stand in the line and haul in their places,who are not parlor generals and field desertersbut move in a common rhythmwhen the food must come in or the fire be put out.The work of the world is common as mud.Botched, it smears the hands, crumbles to dust.But the thing worth doing well donehas a shape that satisfies, clean and evident.Greek amphoras for wine or oil,Hopi vases that held corn, are put in museumsbut you know they were made to be used.The pitcher cries for water to carryand a person for work that is real.”