“Weeks passed, and the little Rabbit grew very old and shabby, but the Boy loved him just as much. He loved him so hard that he loved all his whiskers off, and the pink lining to his ears turned grey, and his brown spots faded. He even began to lose his shape, and he scarcely looked like a rabbit any more, except to the Boy. To him he was always beautiful, and that was all that the little Rabbit cared about. He didn't mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn't matter.”

“He didn't mind how he looked to other people, because the nursery magic had made him Real, and when you are Real shabbiness doesn't matter.”

“The Skin Horse had lived longer in the nursery than any of the others. He was so old that his brown coat was bald in patches and showed the seams underneath, and most of the hairs in his tail had been pulled out to string bead necklaces. He was wise, for he had seen a long succession of mechanical toys arrive to boast and swagger, and by-and-by break their mainsprings and pass away, and he knew that they were only toys, and would never turn into anything else. For nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. "What is REAL?" asked the Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. "Does it mean having things that buzz inside you and a stick-out handle?" "Real isn't how you are made," said the Skin Horse. "It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real." "Does it hurt?" asked the Rabbit. "Sometimes," said the Skin Horse, for he was always truthful. "When you are Real you don't mind being hurt." "Does it happen all at once, like being wound up," he asked, "or bit by bit?" "It doesn't happen all at once," said the Skin Horse. "You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand." "I suppose you are real?" said the Rabbit. And then he wished he had not said it, for he thought the Skin Horse might be sensitive. But the Skin Horse only smiled. "The Boy's Uncle made me Real," he said. "That was a great many years ago; but once you are Real you can't become unreal again. It lasts for always.”

“I have this love for Mattie. It was formed in me as he himself was formed. It has his shape, you might say. He fits it. He fits into it as he fits into his clothes. He will always fit into it. When he gets out of the car and I meet him and hug him, there he is, him himself, something of my very own forever, and my love for him goes all around him just as it did when he was a baby and a little boy and a young man grown.”

“Buddy had taken to Gillian in a major way. He thumped his leg, the way rabbits in love always do. He paid no attention to her frown, or the fact that she waved her hands at him, as if he were a cat to be shooed away. He trailed behind her into the living room. When Gillian stopped, Buddy sat down on the rug and looked up at her."You quit this right now," Gillian said.She wagged her finger and glared at him, but Buddy stayed where he was. He had big brown eyes that were rimmed with pink. He looked serious and dignified, even when he washed his paws with his tongue.”

“He had loved is mother and his child, everything that it was not up to him to choose. And after all he, who had challenged everything, questioned everything, he had never loved anything except what was inevitable. The people fate had imposed on him, the world as it appeared to him, everything in his life he had not been able to avoid, his illness, his vocation, fame or poverty--in a word, his star. For the rest, for everything he had to choose, he made himself love, which is not the same thing. No doubt he had known the feeling of wonderment, passion, and even moments of tenderness. But each moment had sent him on to other moments, each person to others, and he had loved nothing he had chosen, except what was little by little imposed on him by circumstance, had lasted as much by accident as by intention, and finally became necessary: Jessica. The heart, the heart above all is not free. It is inevitability and the recognition of the inevitable. And he, in truth, had never wholeheartedly loved other than the inevitable. All that was left for him was to love his own death.”