“How could a person be clumsy, just standing? And yet she felt she was, as clumsy as one of those blocks of boxwood being seasoned there, unshaped, indelicate.”

“But this first clumsy attempt showed her that the imagination itself was a source of secrets: once she had begun a story, no one could be told. Pretending in words was too tentative, too vulnerable, too embarrassing to let anyone know. Even writing out the she saids, the and thens, made her wince, and she felt foolish, appearing to know about the emotions of an imaginary being. Self-exposure was inevitable the moment she described a character's weakness; the reader was bound to speculate that she was describing herself. What other authority could she have?”

“I'm not clumsy; just accident prone.”

“Yet it is true that there was an absent mindedness about her which sometimes made her clumsy; she was apt to think of poetry when she should have been thinking of taffeta; her walk was a little too much of a stride for a woman, perhaps, and her gestures, being abrupt, might endanger a cup of tea on occasion.”

“She felt as if she bled her regret and loneliness from her very pores, and yet she could not shape those feelings into any sentiment she could imagine her parents could bear reading.”

“She was nervous about the future; it made her indelicate. She was one of the most unimportantly wicked women of her time --because she could not let her time alone, and yet could never be a part of it. She wanted to be the reason for everything and so was the cause of nothing. She had the fluency of tongue and action meted out by divine providence to those who cannot think for themselves. She was the master of the over-sweet phrase, the over-tight embrace.”