“Plants need roots because they can't move on their own. Their roots serve them well, stopping them from getting blown all over the place by the wind. But we humans can move around at will, and our roots hold us in place unnecessarily. Usually in a place we don't want to be. Then, when we try to move, we rip our roots, and it hurts, so we end up staying right where we are.”

“I twirled it around in front of my eyes, going momentarily cross-eyed as I looked for any sign of roots. Of course it was much too soon, and I knew that there wouldn't be any, but I checked anyway, because I'm a checker by nature: lights, stoves, occasionally underneath beds, and, apparently, now plant stems. Life was getting complicated.”

“After the death of my marriage, I was hell-bent on keeping the bird-of-paradise alive. I would take it slowly. Plants first. And if everything went well, then I'd move on to people.”

“What we lose in our great human exodus from the land is a rooted sense, as deep and intangible as religious faith, of why we need to hold on to the wild and beautiful places that once surrounded us.”

“What a strange place, I thought. If I look up everything is so clear and beautiful, and if I look down, everything is so dangerous and ugly. I wished I could keep my head in the sky, but the scorpions brought me back to reality. Or was the sky the reality?”

“I liked the sound of that. A true plant person. It sounded so much more alive, and warmer than a true advertising person.”

“The model stripped down naked and stood with her arms out to her sides while genderless cohorts sprayed her body with large silver canisters of foundation. They wore masks over there faces and sprayed her from head to toe like they were putting out a fire. They airbrushed her into a mono-toned six-foot-two column of a human being with no visible veins, nipples, nails, lips, or eyelashes. When every single thing that was real about the model was gone, the make up artist fug through a suite case of brushes and plowed through hundreds of tubes of flesh colored colors and began to draw human features onto her face. At the same time, the hair stylist meticulously sewed with a needle and thread strand after strand of long blond hairs onto her thin light brown locks, creating a thick full mane of shimmering gold. The model had brought her own chef, who cooked her spinach soup from scratch. The soup was fed to her by one of her lackeys, who existed solely for this purpose. The blond boy stood in front of her, blowing on the soup and then feeding it to her from a small silver child's spoon, just big enough to fit between her lips. the model's mouth was barely open, maybe a quarter of an inch wide, so that she would not crack the flesh colored paint.”