“We tell each other things that have no relation to the afternoon’s events or the coming night but that relate to God, to his absence that is so present, like the breasts of the young girl, so young before the immensity of what is to come.”

“I've known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you're more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged.”

“Soon you give up, don't look for her anymore, either in the town or at night or in the daytime.Even so you have managed to live that love in the only way possible for you. Losing it before it happened.”

“I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.”

“Among all the other nights upon nights, the girl had spent that one on the boat….when it happened, the burst of Chopin…. There wasn’t a breath of wind and the music spread all over the dark boat, like a heavenly injunction whose import was unknown, like an order from God whose meaning was inscrutable. And the girl started up as if to go and kill herself in her turn, throw herself in her turn into the sea, and afterwards, she wept because she thought of the man from Cholon and suddenly she wasn’t sure she hadn’t loved him with a love she hadn’t seen because it had lost itself in the affair like water in the sand and she rediscovered it only now, through this moment of music.”

“Even so you have managed to live that love in the only way possible for you. Losing it before it happened.”

“Sometimes,’ she said, ‘I think I must have invented him.’I know all I want to about your child,’ Chauvin said harshly.Anne Desbaresdes moaned again, louder than before. Again she put her hand on the table. His eyes followed her movement and finally, painfully, he understood and lifted his own leaden hand and placed it on hers. Their hands were so cold they were touching only in intention, an illusion, in order for this to be fulfilled, for the sole reason that it should be fulfilled, none other, it was no longer possible. And yet, with their hands frozen in this funereal pose, Anne Desbaresdes stopped moaning.One last time,’ she begged, ‘tell me about it one last time.’Chauvin hesitated, his eyes somewhere else, still fixed on the back wall. Then he decided to tell her about it as if it were a memory.He had never dreamed, before meeting her, that he would one day want anything so badly.’And she acquiesced completely?’Wonderfully.’Anne Desbaresdes looked at Chauvin absently. Her voice became thin, almost childlike.I'd like to understand why his desire to have it happen one day was so wonderful?’Chauvin still avoided looking at her. Her voice was steady, wooden, the voice of a deaf person.There's no use trying to understand. It's beyond understanding.’You mean there are some things like that that can't be gone into?’I think so.’Anne Desbaresdes' expression became dull, almost stupid. Her lips had turned pale, they were gray and trembled as though she were on the verge of tears.She does nothing t try and stop him?’ she whispered.No. Have a little more wine.’She sipped her wine. He also drank, and his lips on the glass were also trembling.Time,’ he saidDoes it take a long time, a very long time?’Yes, a very long time. But I don't know anything.’ He lowered his voice. ‘Like you, I don't know anything. Nothing at all.’Anne Desbaresdes forced back her tears. Her voice was normal, momentarily awake.She will never speak again,’ she said.”