“Men who care passionately for women attach themselves at least as much to the temple and to the accessories of the cult as to their goddess herself.”

“This Second Century appeals to me because it was the last century, for a very long period of time, in which men could think and express themselves with full freedom. As for us, we are perhaps already very far from such times as that.”

“Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.”

“But this practice [vegetarianism], in which youthful love of austerity finds charm, calls for attentions more complicated than those of culinary refinement itself; and it separates us too much from the common run of men in a function which is nearly always public, and in which either friendship or formality presides.”

“It is not that I despise men. If I did I should have no right, and no reason, to try to govern.”

“The memory of most men is an abandoned cemetery where lie, unsung and unhonored, the dead whom they have ceased to cherish. Any lasting grief is reproof to their neglect.”

“But even the longest dedication is too short and too commonplace to honor a friendship so uncommon. When I try to define this asset which has been mine now for years, I tell myself that such a privilege, however rare it may be, is surely not unique; that in the whole adventure of bringing a book successfully to its conclusion, or even in the entire life of some fortunate writers, there must have been sometimes, in the background, perhaps, someone who will not let pass the weak or inaccurate sentence which we ourselves would retain, out of fatigue; someone who would re-read with us for the twentieth time, if need be, a questionable page; someone who takes down for us from the library shelves the heavy tomes in which we may find a helpful suggestion, and who persists in continuing to peruse them long after weariness has made us give up; someone who bolsters our courage and approves, or sometimes disputes, our ideas; who shares with us, and with equal fervor, the joys of art and of living, the endless work which both require, never easy but never dull; someone who is neither our shadow nor our reflection, nor even our complement, but simply himself; someone who leaves us ideally free, but who nevertheless obliges us to be fully what we are. Hospes Comesque.”