“Andersen himself believed that many of his finest stories were written after travels to Rome, Naples, Constantinople, and Athens in 1841. He returned to Copenhagen reinvigorated by the encounter with the 'Orient' and began inventing his own tales rather than relying on the folklore of his culture. Andersen believed that he had finally found his true voice, and 'The Snow Queen,' even if it does not mark a clean break with the earlier fairy tales, offers evidence of a more reflective style committed to forging new mythologies rather than producing lighthearted entertainments.”

“More effectively than any of the other tales, 'The Emperor's New Clothes' established Andersen's reputation as a man who created stories for children — not just in the sense of target audience, but also as beneficiaries of something extraordinary. The lesson embedded in it is so transparent that its title circulates in the form of proverbial wisdom about social hypocrisy. But more importantly, 'The Emperor's New Clothes' romanticizes children by investing them with the courage to challenge authority and to speak truth to power.”

“Vlad had found himself longing to encounter those of his own kind, to travel to the streets of Elysia-that far away world, but after a while it seemed more of a fairy tale than anything else.Like Santa Claus and the Tooth Fairy, only with fangs.”

“It is through beauty, poetry and visionary power that the world will be renewed.”

“Hans Christian Andersen said 'Every man's life is a fairy tale written by God's fingers.' Maybe he was right, maybe not. Either way, just remember: enchanting as they may be, in fairytales the forests are always dark.”

“Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon.Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.”

“Does a man of sense run after every silly tale of hobgoblins or fairies, and canvass particularly the evidence? I never knew anyone, that examined and deliberated about nonsense who did not believe it before the end of his enquiries.”