“Her father...was all front to back in his transparency: what you saw was what there was, there was nothing clandestine in his character, and those few aspects that were disguised or hidden were that way because they were his closely kept emotions. When on those rare occasions he allowed his emotions to be seen, their appearance was all the more surprising. And more powerful. Which taught her early on a thing or two about the power of what's visible -- it derives its mystery from what it hides. How many stories had she heard of people sensing ghosts behind the walls, hobgoblins in the woods? People living on the shores of lakes since time began have conjured creatures from those depths. If you believe a thing is something different from the evidence before you, if you believe something is hidden by the wall or in the woods or beneath the surface of the lake, then that belief gives power to the darkness and the depths -- power to enchant; to terrify.”

“He touched her as though she were something precious and cared for. That was where the terrible power lay—not in his strength, not in some dark bespellment. His power existed because he could make her believe things she had cast away. Things that had cast her away.Things beyond reaching.If he could make her believe, she would be lost. She would never survive. The fear inside her head overwhelmed her.”

“He'd kept this silence because his own secrets were darker, more hidden, and because he believed that his secrets had created hers.”

“the fairy tale stirs and troubles him (to his life-long enrichment) with the dim sense of something beyond his reach and, far from dulling or emptying the actual world, gives it a new dimension of depth. He does not despise real woods because he has read of enchanted woods: The reading makes all real woods a little enchanted.”

“I am not in the habit of explaining myself. I have made a concession to you in doing so. Choose now how you will proceed."I refuse your claim on me, she answered in the only way he allowed her to communicate. I will take my refusal to our people and plead with them for the mercy you evidently don't have in you. I will not be tied to you!He bent over her, a dark, imposing figure exuding power. His silver eyes glittered at her. "Hear me, Savannah. If you believe nothing else about me, believe this. You belong to me, with me. No one will ever attempt to take you from me and live.No one." His voice was low,beautiful,and all the more deadly for it.Her violet gaze was held captive by his pale one.She believed him. And not even her father,the Prince of their people, had a chance of destroying him.”

“So I looked with fascination at those people in their mobes, and tried to fathom what it would be like. Thousands of years ago, the work that people did had been broken down into jobs that were the same every day, in organizations where people were interchangeable parts. All of the story had been bled out of their lives. That was how it had to be; it was how you got a productive economy. But it would be easy to see a will at work behind this: not exactly an evil will, but a selfish will. The people who'd made the system thus were jealous, not of money and not of power but of story. If their employees came home at day's end with interesting stories to tell, it meant that something had gone wrong: a blackout, a strike, a spree killing. The Powers That Be would not suffer others to be in stories of their own unless they were fake stories that had been made up to motivate them. People who couldn't live without story had been driven into the concents or into jobs like Yul's. All others had to look somewhere outside of work for a feeling that they were part of a story, which I guessed was why Sæculars were so concerned with sports, and with religion. How else could you see yourself as part of an adventure? Something with a beginning, middle, and end in which you played a significant part? We avout had it ready-made because we were a part of this project of learning new things. Even if it didn't always move fast enough for people like Jesry, it did move. You could tell where you were and what you were doing in that story. Yul got all of this for free by living his stories from day to day, and the only drawback was that the world held his stories to be of small account. Perhaps that was why he felt such a compulsion to tell them, not just about his own exploits in the wilderness, but those of his mentors.”