“Crowds have one expression, cruel and fixed. You let yourself be trapped by a look. You let yourself be carried off and shut away in a place of silence. There your eyes may be ripped out, your tongue cut off, and your fingers hammered until the little bones splinter. The walls are splashed with thick clots of blood. Words are the worst kind of dog, they drag us along despite ourselves to somewhere we didn't want to go, they obsess us, they don't let us have a moment's rest, a moment's rest.But before that? Before that is another place altogether. Memory blanks things out methodically. It has several floors, sealed off from one another and there is no passage joining them. One of them is hell. When you fall in, at the very instant you lose your footing, you forget everything, even what light is like. But once you are back in the world you retain only a faint memory of being shut up. It resonates like the dull echo of pain.”

“Deep down, I don’t believe it takes any special talent for a person to lift himself off the ground and hover in the air. We all have it in us—every man, woman, and child—and with enough hard work and concentration, every human being is capable of…the feat….You must learn to stop being yourself. That’s where it begins, and everything else follows from that. You must let yourself evaporate. Let your muscles go limp, breathe until you feel your soul pouring out of you, and then shut your eyes. That’s how it’s done. The emptiness inside your body grows lighter than the air around you. Little by little, you begin to weigh less than nothing. You shut your eyes; you spread your arms; you let yourself evaporate. And then, little by little, you lift yourself off the ground.Like so.”

“Ha! to forget. How childish! I feel you in my bones. Your silence screams in my ears. You may nail your mouth shut, you may cut out your tongue, can you keep yourself from existing? Will you stop your thoughts.”

“Shut off the door and don't let the light hit you in the ass on your way out.”

“Whoever you are: in the evening step outof your room, where you know everything; yours is the last house before the far-off:whoever you are. With your eyes, which in their wearinessbarely free themselves from the worn-out threshold, you lift very slowly one black treeand place it against the sky: slender, alone.And you have made the world. And it is hugeand like a word which grows ripe in silence. And as your will seizes on its meaning,tenderly your eyes let it go...”

“Lost really has two disparate meanings. Losing things is about the familiar falling away, getting lost is about the unfamiliar appearing. There are objects and people that disappear from your sight or knowledge or possession; you lose a bracelet, a friend, the key. You still know where you are. Everything is familiar except that there is one item less, one missing element. Or you get lost, in which case the world has become larger than your knowledge of it. Either way, there is a loss of control. Imagine yourself streaming through time shedding gloves, umbrellas, wrenches, books, friends, homes, names. This is what the view looks like if you take a rear-facing seat on the train. Looking forward you constantly acquire moments of arrival, moments of realization, moments of discovery. The wind blows your hair back and you are greeted by what you have never seen before. The material falls away in onrushing experience. It peels off like skin from a molting snake. Of course to forget the past is to lose the sense of loss that is also memory of an absent richness and a set of clues to navigate the present by; the art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”