“Language is music. Written words are musical notation. The music of a piece of fiction establishes the way in which it is to be read, and, in the largest sense, what it means. It is essential to remember that characters have a music as well, a pitch and tempo, just as real people do. To make them believable, you must always be aware of what they would or would not say, where stresses would or would not fall.”

“When things are taking their ordinary course, it is hard to remember what matters. There are so many things you would never think to tell anyone. And I believe they may be the things that mean most to you, and that even your own child would have to know in order to know you well at all.”

“Christianity is a life, not a doctrine . . . I'm not saying never doubt or question. The Lord gave you a mind so that you would make honest use of it. I'm saying you must be sure that the doubts and questions are your own.”

“So finally I asked my father in the most offhand way imaginable what exactly would happen to a cat if one were to say to, say, baptize it. He replied that the Sacraments must always be treated and regarded with the greatest respect. That wasn't really an answer to my question, We did respect the Sacraments, but we thought the whole world of those cats. I got his meaning, though and I did no more baptising until I was ordained.”

“I would say that music is the easiest means in which to express, but since words are my talent, I must try to express clumsily in words what the pure music would have done better.”

“If the Lord chooses to make nothing of our transgressions, then they are nothing. Or whatever reality they have is trivial and conditional beside the exquisite primary fact of existence. Of course the Lord would wipe them away, just as I wipe dirt from your face, or tears. After all, why should the Lord bother much over these snitches that are no part of His Creation? Well, there are a good many reasons why He should. We human beings do real harm. History could make a stone weep.”

“I would say, for the moment, that community, at least community larger than the immediate family, consists very largely of imaginative love for people we do not know or whom we know very slightly. This thesis may be influenced by the fact that I have spent literal years of my life lovingly absorbed in the thoughts and perceptions of—who knows it better than I?—people who do not exist. And, just as writers are engrossed in the making of them, readers are profoundly moved and also influenced by the nonexistent, that great clan whose numbers increase prodigiously with every publishing season. I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification.”