“His life was cheap to him. Perhaps that's why he rode faster than any other, perhaps that was why he had walked into the house of Aquila without the quickening of a heartbeat: because at the heart of his courage was the fact that he really did not care if he died. Such courage is not true courage. True courage is when a man quakes with fear in the face of death, yet still risks his life for something he cares about. Ricardo Bruni did not know this yet, but he was to learn it soon.”

“The faithful man perceives nothing less than opportunity in difficulties. Flowing through his spine, faith and courage work together: Such a man does not fear losing his life, thus he will risk losing it at times in order to empower it. By this he actually values his life more than the man who fears losing his life. It is much like leaping from a window in order to avoid a fire yet in that most crucial moment knowing that God will appear to catch you.”

“Blackthorne, beside the gates, was still turmoiled by his boundless joy at her reprieve and he remembered how his own will had been stretched that night of his near-seppuku, when he had had to get up as a man and walk home as a man unsupported, and became samurai. And he watched her, despising the need for this courage, yet understanding it, even honoring it.”

“As a man begins to understand the sacrifices he must make to live the life he dreams of, he often loses his courage for such a life.”

“He did not know the truth of me, yet he had perceived something true about me that no one else had ever noticed. And in spite of that—or perhaps because of it—he believed me good, believed me worth taking seriously, and his belief, for one vertigi-nous moment, made me want to be better than I was.”

“But there was something more precious than his poems; something far away he didn’t yet possess and longed for—manliness; he knew that it could only be attained by action and courage; and if courage meant courage to be rejected, rejected by everything, by the beloved woman, by the painter, and even by his own poems—so be it: he wanted to have that courage. And so he said:“Yes, I know that the revolution has no need for my poems. I regret that, because I like them. But unfortunately my regret is no argument against their useless-ness.Again there was silence, and then one of the men said: “This is dreadful,” and he actually shuddered as if a chill had run down his spine. Jaromil felt the horror his words had produced in everyone there, that they were seeing in him the living disappearance of everything they loved, everything that made life worthwhile.It was sad but also beautiful: within the space of an instant, Jaromil lost the feeling of being a child.”