“...in my family I have comrades-hearty and loyal-when what I need are intimates, and I've never figured out how to get us all to make the switch. I've never found a way in.”
“If I were to ever have a full-fledged vocation, as opposed to a half-assed avocation, I needed to love it and, in my experience, it isn't always easy to figure out what you love.”
“I've always found allegories kind of comforting. When you encounter people named Liar and Abstinence, you might not be crazy about them, but you know exactly what you're getting into.”
“All those films in which the woman doesn't get her man, those films of yearning unsatisfied, hearts unappeased. You like them; I've liked them too. But I'll tell you what: try belonging body and soul to a man who will never belong to you; see how well you like those films then. "Don't ask for the moon-we have the stars!" ... "Pardon me saying so, but fuck the fucking stars!”
“Instead, she sat there, smiling that small, small inscrutable smile, like Mona Lisa herself, although I must say that until that moment, I'd never found Mona Lisa's smile particularly interesting or even particularly a smile. Looking at Lake, I understood what probably everyone else already knows about the woman in that painting: we are drawn to her not because of what the smile gives us but because it gives us nothing. We are waiting to get past the smile. We are waiting--we've spent centuries waiting--for the woman to speak.”
“But I've always been a sucker for externals alone: the shape, the shine, what the surface suggests to my palm. So mechanically disinclined it's verging on criminal, I never understood the beauty of an object's workings until Linny sat my reluctant self down one day and showed me her camera. Within fifteen minutes, I had fallen hard for the whole gadgety, eyelike nature of the thing: a tiny piece of glass slowing, bending, organizing light - light - into your grandmother, the Grand Canyon, the begonia on the windowsill, the film keeping the image like a secret. Grandmother, canyon, begonia tucked neatly into the sleek black box, like bugs in a jar. My mind boggled.”
“When he looked up, he said, "Clare told me about Christmas." And I swear the boy's face began to shine. I recognized what I saw there: that a person's name could be infinitely precious, that just saying it could make you feel singled out for glory.”