“The mountains hugged each other sternly, similar to the way men hugged other men, not letting their chests touch. Thin clouds hung around their necks, and the mountains farthest away, the ones passed out against the horizon, were so pale, you couldn't see where their backs ended and the sky began.The view made me sad, but I suppose everyone, when happening upon a sprawling expanse of earth, all light and mist, all breathlessness and infinity, felt sad - "the enduring gloom of man," Dad called it.”

“I pretended not to notice, but Dad looked sort of deflated there on the edge of my bed. A lost, even humbled look was wandering around his face (quite surprised to be there). Seeing him like this, so un-Dad, made me feel sorry for him - though I didn't let on. His befuddled expression reminded me of those unflattering photographs of presidents The New York Times and other newspapers adored sticking on their front page in order to show the world how the Great Leader looked between the staged waves, the scripted sound-bites, the rehearsed handshakes - not staunch and stately, not even steady, but frail and foolish. And though these candid photographs were amusing, when you actually thought about it, the underlying implication of such a photograph was scary, for they hinted how delicate the balance of our lives, how tenuous our calm little existences, if this was the man in charge.”

“Dad said certain people's sanity, in order to maintain a healthy equilibrium, required getting messy once in a while, what he called "going Chekhovian:" some people, every now and then, simply had to have One Too Many, go drifty voiced and slouch mouthed, swimming willfully around in their own sadness as if it were hot springs.”

“If all histories have a period known as The Golden Age, somewhere betweenThe Beginning and The End, I suppose those Sundays during Fall Semesterat Hannah's were just that, or, to quote one of Dad's treasuredcharacters of cinema, the illustrious Norma Desmond as she recalled the lostera of silent film: "We didn't need dialogue. We had faces.”

“Some people, every now and then, simply had to have One Too Many, go drifty voiced and slouch mouthed, swimming willfully around in their own sadness as if it were hot springs.”

“I remembered what Dad said once, that some people have all of life's answers worked out the day they're born and there's no use trying to teach them anything new. "They're closed for business even though, somewhat confusingly, their doors open at eleven, Monday through Friday," Dad said. And the trying to change what they think, the attempt to explain, the hope they'll come to see your side of things, it was exhausting, because it never made a dent and afterward you only ached unbearably. It was like being a Prisoner in a Maximum-Security Prison, wanting to know what a Visitor's hand felt like (see Living in Darkness, Cowell, 1967). No matter how desperately you wanted to know, pressing your dumb palm against the glass right where the visitor's hand was pressed on the opposite side, you never would know that feeling, not until they set you free.”

“For the record, there were no framed pictures of me around our house, and the only class portrait Dad had ever ordered was the one from Sparta Elementary in which I'd sat, knees glued together, in front of a background that looked like Yosemite, sporting pink overalls and a lazy eye. "This is classic," Dad said. "That they shamelessly send me an order form so I can pay $69.95 for prints large and small of a photo in which my daughter looks as if she just suffered a great blow to her head - it just shows you, we are simply strapped to a motorized assembly line moving through this country. We're supposed to pay out, shut up or get tossed in the rejects bin.”