“(About "Black Debt" by Steve McCaffery)'Impersonal' as this text is, it is by no means unemotional or uninvolved. We learn nothing-- at least nothing direct-- about McCaffery's (or his narrator's) personal life, his opinions or ruminations. Nonetheless I would posit that 'Lag' projects a highly particularized way of looking at things, of processing the most diversified information fields-- geology and genetics, archeology and advertising, classics and commercials-- that is finally recognizable in its particular ways of negotiating with language as is the more personal lyric consciousness we expect to find in poetry.”

“Recursive metafiction worships the narrative consciousness, makes “it” the subject of the text. Minimalism’s even worse, emptier, because it’s a fraud: it eschews not only self-reference but any narrative personality at all, tries to pretend there “is” no narrative consciousness in its text. This is so fucking American, man: either make something your God and cosmos and then worship it, or else kill it.-Interview with Larry McCaffery (1993)”

“We talked about nothing in particular, but it felt like we were talking about the most important things...”

“Happiness means different things at different times. First, we think it's about being with a special person. Then we think it's about being special. Finally we find it's about being.”

“Sophie Bach from The Maker:You’re a human being with a personality and a will, and you make choices and think and create. Is there no meaning to you, Adrien Bach?And what about us? Is the way we feel about each other just simulated emotions from some biological process—nothing more?”

“I think human beings have evolved to appreciate narrative, in the same way that we have evolved to learn language. What is narrative, after all, but a kind of super-language, where stories, like words, are ways of encapsulating information?”