“What did you think, that joy / was some slight thing?”

“And something else, of course; there’s always more, deep in art’s pockets, far down in the chiaroscuro on which these foodstuffs rest: everything here has been transformed into feeling, as if by looking very hard at an object it suddenly comes that much closer to some realm where it isn’t a thing at all but something just on the edge of dissolving. Into what? Tears, gladness—you’ve felt like this before, haven’t you? Taken far inside.”

“Here and gone. That’s what it is to be human, I think—to be both someone and no one at once, to hold a particular identity in the world (our names, our place of origins, our family and affectional ties) and to feel that solid set of ties also capable of dissolution, slipping away, as we become moments of attention.”

“The physical reinvention of the world is endless, relentless, fascinating, exhaustive; nothing that seems solid is. If you could stand at just a little distance in time, how fluid and shape-shifting physical reality would be, everything hurrying into some other form, even concrete, even stone.”

“Love, I think, is a gateway to the world, not an escape from it.”

“No such thing, the queen said, as too many sequins.”

“It's freeing, to think that there's always an aspect of us outside the grasp of speech, the common stuff of language.”