“He held up his right hand and spread my fingers out in a fan. I held up my left hand and spread my fingers out in a fan and we made our fingers and thumbs touch each other.”

“And it was strange because he was calling, "Christopher. . . ? Christopher. . . ?" and I could see my name written out as he was saying it. Often I can see what someone is saying written out like it is being printed on a computer screen, especially if they are in another room. But this was not on a computer screen. I could see it written really large, like it was on a big advert on the side of a bus. And it was in my mother's handwriting”

“Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giving life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts -- if he did that, would there be a reply, a shock?”

“He was asking too many questions and he was asking them too quickly. They were stacking up in my head like loaves in the factory where Uncle Terry works. The factory is a bakery and he operates the slicing machines. And sometimes a slicer is not working fast enough but the bread keeps coming and there is a blockage. I sometimes think of my mind as a machine, but not always as a bread-slicing machine. It makes it easier to explain to other people what is going on inside it.”

“My chest feels full of glitter and helium, the way it used to when I was little and riding my father's shoulders at twilight, when I knew that if I held up my hands and spread my fingers like a net, I could catch the coming stars.”

“I rolled back onto the lawn and pressed my forehead to the ground again and made the noise that Father calls groaning. I make this noise when there is too much information coming into my head from the outside world. It is like when you are upset and you hold the radio against your ear and you tune it halfway between two stations so that all you get is white noise and then you turn the volume right up so that this is all can hear and then you know you are safe because you cannot hear anything else”

“The answer is three, I said as I held up three fingers—my middle through my pinky—and I formed a loop with my index finger and my thumb, which also shapes the universal sign for “asshole.” A verbal response, backed up by its unspoken reflection, with a hidden hand gesture buried in the sub context.”