“In the same way that certain sections of the city were mortal battlegrounds, some parts of the calendar were always more warlike than others, and during the days between Christmas and the new year all elements seemed to conspire to subdue the soul. Fire, rain, sickness, cold, and death were everywhere spread through the dark as in a painting of hell. People struggled until exhaustion, giving everything they had, and the days were packed with trials and mysteries.”

“Because no windows were open and the air was so still and cold that the trees dared not move for fear of encountering more of it than they had to, Christiana thought that she had entered a city of the dead.”

“Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.”

“Then in the darkness and purity of the meadows he began to feel that the world had many secrets, that they were shattering even to glimpse or sense, and that they were not necessarily unpleasant. In certain states of light he could see, he could begin to sense, things most miraculous indeed. Although it seemed self-serving, he concluded nonetheless, after a lifetime of adhering to the diffuse principles of a science he did not know, that there was life after death, that the dead rose into a mischievous world of pure light, that something most mysterious lay beyond the the enfolding darkness, something wonderful. ”

“But the long tunnels of art through which I walked in Rome that day had no ragged edges, cowardly colors, or shades of pastel that didn't know what to do with themselves. The wisdom, perfection, and beauty of the colors and forms I passed were more than enough, in their collectivity, to hint at the principles which govern the hereafter, whatever that may be. Indeed, even a detail of one painting can offer solid direction in this regard if one knows how to look”

“The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.”

“Peter Lake had no illusions about mortality. He knew that it made everyone perfectly equal, and that the treasures of the earth were movement, courage, laughter, and love. The wealthy could not buy these things. On the contrary, they were for the taking.”