“It's the same thing that makes all pop music so heartbreaking. Even when Miley Cyrus sings "So I put my hands up, they're playin' my song / The butterflies fly away / I'm noddin' my head like 'Yeah!' / Movin' my hips like 'Yeah!'" in her song "Party in the U.S.A." It's that chirping mirth against a backdrop of despair, that juxtaposition of blithe optimism against all the crushing brutalities and inadequacies of life. The image of an ineffably beautiful butterfly flitting by the shattered windows of a dilapidated, abandoned factory is not so poignant because it highlights the indomitable life force. To the contrary, the butterfly (and the pop song) is like a PowerPoint cursor; it's there to whet our perception of and strengthen our affinity for what's moribund, for what's always dying before our eyes. Loving the moribund is our way of signaling the dead from this shore: "We are your kinsmen...”

“[D]id you ever notice how friendships are a lot like pop songs? They are for girls, anyway. First there's the newness of it, the melody that streams into your head and makes you wonder ― will I like this song? Then come the vocals, what the song's heart truly sounds like, and with it the song's purpose, it's lyrics ― will they say something meaningful about my life? Will these words help me through a difficult time, or create a memory that will make me smile whenever I hear this song again?”

“A mockingbird has moved into our neighborhood. It perches atop a telephone pole behind our backyard. Every morning it is the first thing I hear. It is impossible to be unhappy when listening to a mockingbird. So stuffed with songs it is, it can't seem to make up it's mind which to sing first, so it sings them all, a dozen different songs at once, in a dozen different voices. On and on it sings without a pause, so peppy, even frantic, as if its voice alone is keeping the world awake.”

“When I think about my clone, random songs pop into my head. Songs like, “Happy Birthday.” Will he celebrate the same birthday as me? He’d better, because without me, there’d be nothing for him to celebrate.”

“The world is filled with people who are no longer needed. And who try to make slaves of all of us. And they have their music and we have ours. Theirs, the wasted songs of a superstitious nightmare. And without their music and ideological miscarriages to compare our songs of freedom to, we'd not have any opposite to compare music with --- and like the drifting wind, hitting against no obstacle, we'd never know its speed, its power....”

“See, the thing is I didn't think that that song would get much attention because it's such a personal song to me. I just wrote it about my childhood, and I didn't know how that would read on an album. But it's been everybody's favorite song. I didn't tell my mom. It was a total secret. So I wrote it in secret and then decided to record it secretly, so she had no idea that the song was recorded. My producers sent me the track and I synched it up to all my baby videos and I played it for her one Christmas Eve, and she bawled her eyes out. She didn't even think that it was my song. She didn't think there was any way for me to record a song without her knowing.”