“Man has been here 32,000 years. That it took a hundred million years to prepare the world for him is proof that that is what it was done for. I suppose it is. I dunno. If the Eiffel tower were now representing the world's age, the skin of paint on the pinnacle-knob at its summit would represent man's share of that age; and anybody would perceive that that skin what what the tower was built for. I reckon they would, I dunno.”

“The guide showed us a coffee-colored piece of sculpture which he said was considered to have come from the hand of Phidias, since it was not possible that any other artist, of any epoch, could have copied nature with such faultless accuracy. The figure was that of a man without a skin; with every vein, artery, muscle, every fibre and tendon and tissue of the human frame, represented in detail. It looked natural, because somehow it looked as if it were in pain. A skinned man would be likely to look that way, unless his attention were occupied with some other matter. It was a hideous thing, and yet there was a fascination about it some where. I am sorry I saw it, because I shall always see it, now. I shall dream of it, sometimes. I shall dream that it is resting its corded arms on the bed's head and looking down on me with its dead eyes; I shall dream that it is stretched between the sheets with me and touching me with its exposed muscles and its stringy cold legs.”

“I reckon the widow or the parson or somebody prayed that this bread would find me, and here it have gone and done it. So there ain't no doubt but there is something in that thing. That is, there's something in it when a body like the widow or the parson prays, but it don't work for me, and I reckon it don't work for only just the right kind.”

“You cant reach old age by another man's road, my habits protect my life but they would assassinate you”

“I am willing to be a literary thief if it has so been ordained; I am even willing to be caught robbing the ancient dead alongside of Hopkinson Smith, for he is my friend and a good fellow, and I think would be as honest as any one if he could do it without occasioning remark; but I am not willing to antedate his crimes by fifteen hundred years. I must ask you to knock off part of that.”

“All the rest of [Shakespeare's] vast history, as furnished by the biographers, is built up, course upon course, of guesses, inferences, theories, conjectures — an Eiffel Tower of artificialities rising sky-high from a very flat and very thin foundation of inconsequential facts.”

“I thoroughly disapprove of duels. If a man should challenge me, I would take him kindly and forgivingly by the hand and lead him to a quiet place and kill him.”