“The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible.”

“A good fiction writer can write any character or any story that she wants to write. The importance, IMO, is a burning desire to tell that person's story.”

“Good fiction doesn’t claim to mirror reality at all. It indicts reality by providing a paradigm of shape and order and justice—the way we all know things should be—without suggesting that’s how things really are. Good fiction is the mirage that declares itself a mirage, yet compels us to faith through its beauty. Good fiction is the dream that’s too good to be true, so perfect and symmetrical that it gives itself away every time. But it doesn’t trick you into suspending your disbelief by trying to look anything like reality. Good fiction makes you acutely, painfully aware of your disbelief, and makes you believe anyway. And when it’s done well—when it’s done right—good fiction is more real than reality.”

“The good ended happily, and the bad unhappily. That is what Fiction means.”

“If creative fiction writing is a process of translating an abstraction into the concrete, there are three possible grades of such writing: translating an old (known) abstraction (theme or thesis) through the medium of old fiction means (that is, characters, events or situations used before for that same purpose, that same translation) -- this is most of the popular trash; translating an old abstraction through new, original fiction means -- this is most of the good literature; creating a new, original abstraction and translating it through new, original means. This, as far as I know, is only me -- my kind of fiction writing.”

“If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.”