“I don't pretend to understand these feelings, but I'm willing to let the inexplicable sit sacred.”

“You know I've always wanted someone to sing to me, but now I know that what I want more is to sing to you.”

“Everything about this evening is both exquisite and bewildering and I can't decide if I want to go on with this dream or run back down the yellow-lit rock to the stable. But the stable door is closed.”

“Rather than being love-blinded, it is in love that I can see, really see.”

“Much of my crying is for joy and wonder rather than for pain. A trumpet's wailing, a wind's warm breath, the chink of a bell on an errant lamb, the smoke from a candle just spent, first light, twilight, firelight. Everyday beauty. I cry for how life intoxicates. And maybe just a little for how swiftly it runs.”

“It was Don Paolo's birthday and all the people of the village were gathered in the piazza to celebrate him. The band played, the wine flowed, the children danced, and, as he stood for a moment alone under the pergola, a little girl approached the the beloved priest. "But Don Paolo, are you not happy?" she asked him. "Of course I am happy," he assured the little girl. "Why, then, aren't you crying?”

“I run down to meet Floriana who is breathless from her hike. She stops in the road, the last light at her back. Prickles of rain cling to her unkerchiefed, loosened hair, capturing in her the flickering russet frame of it. Topaz almonds are her eyes, lit tonight from some new, old place, from some exquisitely secret oubliette, which she must often forget she possesses. We talk for a minute and Barlozzo passes us by like a boy too shy to speak to two girls at once.”